In this list, we’re helping you find the best Z-mount lenses for your Nikon mirrorless camera? All the lenses on this list are ones that our team has tested, reviewed and rated, and I’ve made sure that only the best of the best have made the cut. If a lens doesn’t score at least 4.5 out of 5 in our full test and review, it doesn’t make this list.
I’ve also made sure to factor in affordability – this list wouldn’t be much use if it was just a collection of top-tier lenses that only a few can afford. We take value for money into account when scoring products in our reviews, and many of the lenses I’ve included on this list are in the budget-friendly an mid-range categories – so many, in fact, that I’ve given them their own section!
Read on to see which of the best mirrorless lenses for Nikon made the cut. If you need a primer on technical terms, scroll to the bottom of this page where I’ve put together an explainer of the key technical terms we’ll be dealing with, as well as some additional recommendations for APS-C Nikon cameras specifically (this list mostly covers full-frame, though I’ve added a couple of top-notch DX suggestions at the beginning). Otherwise, let’s get to the lenses!
Best Z mount lenses for Nikon: our quick list
Best DX lenses for APS-C cameras:
- Best DX-format fast aperture prime lens: Nikkor Z DX 24mm f/1.7 – Buy now
- Best DX-format standard zoom lens: Nikon Z DX 16-50mm f/2.8 VR – Buy now
Best affordable lenses:
- Best mid-price Z-mount wide-angle zoom: Nikkor Z 17-28mm f/2.8 – Buy now
- Best versatile telephoto zoom lens: Nikkor Z 70-180mm f/2.8 –Buy now
- Best cheap Z-Mount standard prime: Nikkor Z 40mm f/2 – Buy now
- Best affordable Z-Mount portrait lens: Nikkor Z 85mm f/1.8 S – Buy now
- Best Z-Mount macro lens: Nikkor Z MC 105mm f/2.8 VR S – Buy now
Best premium lenses:
- Best standard zoom lens for Z-Mount: Nikkor Z 24-70mm f/2.8 S – Buy now
- Best long standard zoom for Z-mount: Nikkor Z 24-120mm f4 S – Buy now
- Best premium wide-angle Z-mount zoom: Nikkor Z 14-24mm f/2.8 S – Buy now
- Best telephoto zoom for Z-Mount: Nikkor Z 70-200mm f/2.8 VR S – Buy now
- Best long tele-zoom for Z-Mount: Nikkor Z 100-400mm f/4.5-5.6 S – Buy now
- Best high-end 135mm portrait lens: Nikkor Z 135mm f/1.8 S Plena – Buy now
Looking for the best deal on Nikon Z-mount lenses? Not only will you find the best lenses for Nikon Z-mount lenses, but also some of the best Z-mount lens deals for Nikon, as our ‘Buy now’ buttons are setup to automatically take you to the best prices from trusted retailers. You’ll also find a list of other retailers below each lens, so you can find the right deal for you.
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Best DX lenses for APS-C Nikon Z cameras
Here are the best Z-mount lenses specifically for smaller-sensor DX-format cameras, including the Nikon Z50II (and Z50), Z fc and Z30.
Best DX-format fast aperture prime lens: Nikkor Z DX 24mm f/1.7

Amateur Photographer verdict
This lens gives APS-C users an affordable way to shoot at wide apertures and at a classic focal length. It performed well optically in our tests.
- Small
- Lightweight
- Fast maximum aperture
- Limited weather sealing
- Plastic mount
- No optical image stabilisation
| Construction | 9 elements in 8 groups |
| Weight | 135g |
| Price | $277 / £209 |
With its attractive price and fast maximum aperture, this Z DX 24mm prime will appeal to photographers wanting the perfect walkaround lens. It is small and light and meshes wonderfully with cameras such as the Nikon Z30, Zfc and Z50. Coverage-wise, it gives the full-frame focal length equivalent of 36mm, so it’s ideal for street, travel and family record photography. An extra dimension is its ability to focus as close as 18cm from the sensor.
In our test, it proved a capable optical performer too, especially bearing in mind its tempting price, giving good sharpness at f/1.7 with the best performance coming at f/2.8-4.
Read our Nikkor Z DX 24mm /1.7 review
Best DX-format standard zoom lens: Nikon Z DX 16-50mm f/2.8 VR

Amateur Photographer verdict
Possibly the most versatile and impressive lens for Nikon’s DX-format cameras, this lens is a great do-it-all travel companion. But its price tag could be a sticking point.
- Constant f/2.8 aperture
- Lightweight build
- Built-in Vibration Reduction
- Close focusing distance
- On the pricey side for DX
| Construction | 12 elements in 11 groups |
| Weight | 330g |
| Price | $895 / £799 |
This lens arrived as a welcome sign that Nikon was taking its APS-C offering a bit more seriously. The crop factor of the smaller sensor size means that the DX 16-50mm f/2.8 VR covers an equivalent focal range of 24-75mm, a common standard zoom range favoured by professional photographers for its ability to cope with a wide variety of shooting situations. And with its constant f/2.8 aperture ensuring that performance remains high even when light levels get low, the DX 16-50mm f/2.8 VR brings that level of versatility to the APS-C Nikon cameras.
As we found in our review, it’s a brilliant and capable lens in just about all situations – the main potential sticking point is the price. While the RRP of this lens at $895 / £799 isn’t a patch on the cost of professional lenses, it is about the same amount that DX-format users will have paid for their camera! Whether it’s worth it, ultimately, is up to you – but the fact that this lens is versatile enough to potentially be the only lens you use makes it worthy of consideration.
Read our full Nikon Z DX 16-50mm f/2.8 VR review
Best affordable Nikon Z lenses
Here are our picks of the full-frame (FX) Nikon Z lenses that won’t break the bank. Pitched towards amateur and enthusiast photographers, these are fantastic lenses for a whole range of photographic and video disciplines.
Best mid-price Z-mount wide-angle zoom: Nikkor Z 17-28mm f/2.8
Amateur Photographer verdict
A very capable lens, excellent for low-light situations, with an f/2.8 constant aperture (though it lacks stabilisation).
- Pleasingly lightweight for an f/2.8
- Can close-focus
- Image quality is excellent
- Minimal physical controls
- Quite a narrow zoom range
- Relies on in camera stabilisation
| Construction | 13 elements in 11 groups |
| Weight | 450g |
| Price | $1,197 / £900 |
While this isn’t one of Nikon’s top-flight ‘S’ lenses, it carries a four-figure price tag, so that makes it premium in our book. Fortunately, the Nikkor Z 17-28mm f/2.8 acquits itself well, covering a useful standard focal range with a constant aperture of f/2.8 that gives the user real versatility in the field. Image quality is excellent across the frame, and while the construction isn’t fully weather sealed, the rubber gasket around the mount helps keep out dust and moisture.
Read our Nikkor Z 17-28mm f/2.8 review
Best versatile telephoto zoom lens: Nikkor Z 70-180mm f/2.8
Amateur Photographer verdict
Adaptable to a variety of subjects: portraits, (some) wildlife, macro, weddings and other events. Lightweight and portable for every day use.
- Constant f/2.8 aperture
- Good value
- Lightweight
- No vibration reduction
- Slightly short for some subjects
| Construction | 19 elements in 14 groups |
| Weight | 795g |
| Price | $1,100 / £1,000 |
This telephoto zoom is a good bet for all kinds of different subjects, thanks to its 70-180mm focal length. It’s well-suited to portraits, close-up, event photography, relatively close wildlife and action, and could even have a crack landscape, architecture and abstract photography. The constant aperture running through the focal length gives it some flex in low light, and as we found in our review, it delivers the goods optically as well.
Read our Nikkor Z 70-180mm f/2.8 review
Best cheap Z-Mount standard prime: Nikkor Z 40mm f/2
Amateur Photographer verdict
Decent optics, a reasonably bright aperture, good portability and responsive AF all combine to make for a lens that offers superb value for money.
- Very affordable and good value
- Optical quality impresses
- Slender and lightweight
- Sharpness suffers up close
- Noticeable vignetting at f/2
| Construction | 6 elements in 4 groups |
| Weight | 170g |
| Price | $300 / £190 |
Easy to find at an affordable price, the Nikkor Z 40mm f/2 lens delivers strong optical performance at a slightly unusual focal length, slotting between the established ‘standard’ 35mm and 50mm prime focal lengths. Weighing just 170g and measuring just 45.5mm long, the 40mm f/2 lens scored well in our testing, with its autofocusing on the lens being snappy, silent and accurate.
Read our Nikkor Z 40mm f/2 Review
Best affordable Z-Mount portrait lens: Nikkor Z 85mm f/1.8 S
Amateur Photographer verdict
A short telephoto lens that works particularly well for portraits, especially when combined with Eye-Detection AF.
- Well-optimised for portraits
- Excellent optical quality
- Solid build
- Quite expensive for an f/1.8
- Physically large
| Construction | 12 elements in 8 groups |
| Weight | 470g |
| Price | $800 / £690 |
The Nikkor Z 85mm f/1.8 S offers a weather-sealed body and a great focal length for portraits. That wide aperture means the lens gives a pleasing background blur and bokeh. The optical quality of the images is impressive, as we found in our review, and while it isn’t exactly cheap, this is far from the most expensive lens in the Nikon stable, as we’ve seen.
Read our Nikkor Z 85mm f/1.8 S review
Best Z-Mount macro lens: Nikkor Z MC 105mm f/2.8 VR S
Amateur Photographer verdict
Delivers impressive sharpness across the frame, and superb depth of field control, from the widest aperture down to f/32.
- Exceptionally good sharpness
- Full weather sealing
- Big focus ring with manual override
- Diffraction at smallest apertures
| Construction | 16 elements in 11 groups |
| Weight | 630g |
| Price | $1,047 with filter kit / £800 |
The Nikon Nikkor Z MC 105mm f2.8 VR S is Nikon’s premium macro lens for the Z system, priced at $946 / £944. Altogether, the lens offers excellent levels of sharpness, weather-sealing and built-in Vibration Reduction (VR). With an aperture of f/2.8, this lens also makes a good option for portrait photography. Nikon currently offers two Z-mount macro lenses, this one, and the cheaper Nikkor MC 50mm f/2.8.
Read our Nikon Nikkor Z MC 105mm f/2.8 VR S review
Best premium Z-mount lenses
Here are our top picks of the high-end Nikon Z lenses. Pitched towards serious enthusiasts and professionals, these lenses aren’t cheap, but they deliver some of the finest optical quality and performance on the market.
Best standard zoom lens for Z-Mount: Nikkor Z 24-70mm f/2.8 S II
Amateur Photographer verdict
An expensive but outstanding standard workhorse lens for users of Nikon full-frame cameras, offering a significant weight reduction compared to the previous version.
- Internal zoom and other video features
- Super-fast focusing
- Extra-lightweight build
- On the pricey end
- No built-in stabilisation
| Construction | 14 elements in 10 groups |
| Weight | 675g |
| Price | $2,796 / £2,599 |
The long-awaited updated version of the original Nikkor Z 24-70mm f2.8 S lens, this premium standard zoom lens offers all the features you’d expect from a workhorse lens at this professional level. This means an f/2.8 aperture throughout the zoom range, weather sealing, and professional level build quality. Earning the full five stars in our review, this lens makes a pretty convincing case for itself as the best everyday zoom on the market, delivering stunningly sharp results all the way across the frame, as well as super-fast focusing capabilities and attractive rendering of out-of-focus areas in images. With an entirely internal zoom, it’s also well-suited for video use.
Read our full Nikkor Z 24-70mm f/2.8 S II review
Best long standard zoom for Z-mount: Nikkor Z 24-120mm f4 S
Amateur Photographer verdict
An ideal all-rounder covering a good focal length range at a more affordable price
- Built just right for travel
- Good optical performance
- Affordable price
- F/4 can be limiting
- No built-in stabilisation
| Construction | 16 elements in 13 groups |
| Weight | 630g |
| Price | $1,097 / £1,080 |
The Nikkor Z 24-120mm f/4 S strikes a nice balance between a broad focal length, a fixed aperture, the promise of superior image quality and a reasonably travel-friendly size and weight. What’s more, at $1,096 / £1,034, it’s just over half what you’d pay for the 24-70mm f/2.8. As part of Nikon’s pro-level S-series you’d expect good performance, and the 24-120mm doesn’t disappoint. Overall, it’s a great option for travel photography or if you’re looking for a good zoom range and to keep the weight down in your kitbag.
Read our Nikkor Z 24-120mm f/4 S review
Best premium wide-angle Z-mount zoom: Nikkor Z 14-24mm f/2.8 S
Amateur Photographer verdict
A high-end zoom with fast aperture, and impressive build quality, but it comes at a high asking price
- Outstanding image quality
- Rubberised zoom/focus rings
- Lighter than F-mount counterpart
- Control ring somewhat over-sensitive
- Painful asking price
| Construction | 16 elements in 11 groups |
| Weight | 650g |
| Price | $2,497 / £1,740 |
The Nikkor Z 14-24mm f/2.8 S wide-angle zoom offers an f/2.8 aperture throughout the zoom range, and gives highly impressive image quality. There’s a customisable control ring, and like other premium Z mount lenses features a built-in display panel. There’s weather sealing, as you’d expect, as well as excellent flare resistance. It’s a beautiful lens for landscapes and cityscapes, but of course, at this professional tier, it comes at a high price.
Read our Nikkor Z 14-24mm f/2.8 S review
Best telephoto zoom for Z-Mount: Nikkor Z 70-200mm f/2.8 VR S
Amateur Photographer verdict
Features state-of-the-art optical performance, resulting in impressively sharp images, beautiful background blur and excellent contrast.
- Built in Vibration Reduction
- Gorgeous image quality with excellent aberration control
- Removable tripod foot
- Very expensive
- Just as heavy as F-mount equivalent
| Construction | 21 elements in 18 groups |
| Weight | 1,360g |
| Price | $2,697 / £1,800 |
The telephoto zoom lens offers stunning image quality, with fast and quiet autofocus. As a pro lens, you’ll also find that it is weather sealed, keeping it safe in inclement weather conditions. Vibration Reduction (VR) is included and works in combination with IBIS if the camera has it. This quality doesn’t come cheap, but the lens does deliver exceptional optical performance, and is worth its price to those who can afford it.
Read our Nikkor Z 70-200mm f/2.8 VR S review.
Best long telezoom for Z-Mount: Nikkor Z 100-400mm f/4.5-5.6 S
Amateur Photographer verdict
Versatile across multiple subjects. While it’s not cheap, it still offers an impressive level of performance for the money.
- Versatile, useful zoom range
- Teleconverter compatibility
- Excellent sharpness
- Pricey for a zoom
| Construction | 25 elements in 20 groups |
| Weight | 1,435g |
| $2,700 / £1,950 | $2,700 / £1,950 |
The Nikkor Z 100-400mm f/4.5-5.6 S telephoto zoom is the second longest focal length lens in the Nikon Z mount line up after the 180-600mm f/5.6-6.3 VR. This versatile zoom can be paired with 1.4x (making up to 560mm) or 2x (making up to 800mm) teleconverters to further boost focal length capabilities for sports and wildlife. It also includes Vibration Reduction, which promises up to 5.5 stops of compensation. Overall, it’s a very pleasing performer and earned a GOLD in our review.
Read our Nikkor Z 100-400mm f/4.5-5.6 S review
Best high-end portrait lens: Nikkor Z 135mm f/1.8 S Plena

Amateur Photographer verdict
A superb lens for portraits and similar subjects, with the finest optical excellence you can buy. However, it’s less flexible than an 85mm portrait lens, and it’s also hugely expensive.
- Exquisite bokeh
- Superb sharpness
- Excellent optics
- Expensive
- Heavy
| Construction | 16 elements in 14 groups |
| Weight | 995g |
| Price | $2,499/ £2,699 |
If you are looking for the best portrait lens Nikon has to offer, this large aperture prime will tick all the boxes. However, the perfectly well-rounded bokeh and astonishing sharpness won’t come cheap. The high price tag is also justified by the quick and quiet autofocus and lovely out-of-focus areas. Thanks to the special lens construction with 16 elements in 14 groups, including 4 special elements, it clamps down on ghosting, flare and unwanted reflections. With a short telephoto focal length, it is also ideal for still life, product photography and close-up type subjects like flowers.
Read our full review of the Nikkor Z 135mm f/1.8 S Plena
How to choose the best Z-mount lens
Here’s a quick breakdown of what to look for when buying a Z mount lens.
1. Consider what you want to capture
You may wonder what focal length of lens you need. This depends largely on what you want to shoot. For example, if you’re planning to capture wide vistas in landscape or large frame-filling architecture shots, a wide-angle (anything less than 28mm or so) is a good bet. Alternatively, if you’re wanting a good naturalistic walk-around lens, a standard lens (35-50mm) is your port of call. For portraiture, a short telephoto (about 85mm) will work, as this will flatter facial features and help you get plenty in the frame. Finally, if you’re capturing distant subjects, then a long telephoto of more than 150mm will be essential.
2. Add a zoom lens
Overall, this is a good general approach. Other considerations will arise as we get into the lenses. You may also want to consider a zoom lens to provide you with multiple perspectives in one optic. Although this is useful, it does tend to have an impact on image quality. Prime lenses, i.e. those with a fixed focal length, can’t be beat for delivering ultimate sharpness.
3. Look for built-in vibration reduction
All of Nikon’s full-frame Z-series cameras feature in-body image stabilisation (IBIS), and this helps keep images sharp when using slower shutter speeds. But you’ll still benefit from a lens with built-in Vibration Reduction (VR), as this will also help, particularly with longer telephoto lenses.
If you own an APS-C (DX) camera, then note that these cameras (the Z30, Z fc and the Z50) don’t have IBIS, and will therefore benefit from a VR lens. Also, there aren’t many DX-format Z lenses yet. While you can use a full-frame lens on a DX body, they will be subject to a 1.5x crop factor that increases their effective focal length (for instance, a 50mm lens would provide the equivalent perspective of a 75mm lens).
Which are the best APS-C lenses for Z-mount?
We haven’t forgotten about Nikon’s APS-C cameras, including the Nikon Z30, Nikon Z50 II and Nikon Z fc. These can take full frame Nikon Z lenses directly, but with standard or ‘kit’ lenses, you’re better off with Nikon’s specially designed Nikkor Z DX lenses. These include the:
- Nikkor Z DX 16-50mm f3.5-6.3 VR – buy now
- Nikkor Z DX 18-140mm f/3.5-6.3 VR – buy now
- Nikkor Z DX 50-250mm f4.5-6.3 VR – buy now
- Nikkor Z DX 12-28mm f/3.5-5.6 PZ VR – buy now
If you’re looking for a different lens, then here is our handy, at-a-glance list of all the Nikon Nikkor Z-Mount lenses currently available:
Z-Mount Prime Lenses
- 20mm f/1.8 S
- 24mm f/1.8 S
- 26mm f/2.8
- 28mm f/2.8 / and SE version
- 28mm f/2.8
- 35mm f/1.8 S
- 35mm f/1.4
- 35mm f/1.2
- 40mm f/2 SE
- 40mm f/2
- 50mm f/1.2 S
- 50mm f/1.4
- 50mm f/1.8 S
- 50mm f/2.8 Macro
- 58mm f/0.95 Noct (MF)
- 85mm f1.8 S
- 85mm f/1.2 S
- 105mm f/2.8 VR S Macro
- 135mm f/1.8 S Plena
- 400mm f/2.8 TC VR S
- 400mm f/4.5 VR S
- 600mm f/4 TC VR S
- 600mm f/6.3 VR S
- 800mm f/6.3 VR S
Z-Mount Zoom Lenses
- 14-24mm f/2.8 S
- 14-30mm f/4 S
- 17-28mm f/2.8
- 24-50mm f/4-6.3
- 24-70mm f/2.8 S
- 24-70mm f/2.8 S II
- 24-70mm f/4 S
- 24-120mm f/4 S
- 24-200mm f/4-6.3 VR
- 28-75mm f/2.8
- 70-180mm f/2.8
- 70-200mm f/2.8 VR S
- 100-400mm f/4.5-5.6 S
- 180-600mm f/5.6-6.3 VR
DX (APS-C) Lenses
- 12-28mm f/3.5-5.6 PZ VR
- 16-50mm f/3.5-6.3 VR
- 16-50mm f/2.8 VR
- 18-140mm f/3.5-6.3 VR
- 50-250mm f/4.5-6.3 VR
- 24mm f/1.7
Teleconverters:
- Z Teleconverter TC-1.4x
- Z Teleconverter TC-2.0x
Mount adapter:
- FTZ II
- FTZ
Find more great buying advice, in our buyer’s guides section!
How we test lenses
We review lenses from the perspective of choosing one for its photography and video performance, so we test every lens for all aspects of image quality: sharpness, contrast, background blur and bokeh, as well as other image qualities pertinent to assessing a lens type. We look for optical flaws such as chromatic aberration and distortion. We test focus performance for both accuracy and speed (in different lighting conditions), as well as how the lens delivers or renders images. This is tested in a range of shooting scenarios designed to expose lens characteristics, but we also examine how it performs in real world use in diverse shooting situations.
Beyond the pure optical performance of the lens, we assess the lens’ physical qualities, such as its design, build quality, ease of handling, and whether it offers any unique or interesting features worth mention. Beyond image quality certain lenses can be assessed for how they make you feel, or how they may affect a camera system set-up for portability, compactness, weight etc.
Recent updates:
- March 2026: Added the Nikon Z DX 16-50mm f/2.8 VR and Nikkor Z 24-70mm f/2.8 S II, two recent lenses that received 4.5 and 5 stars respectively in our reviews.










