Lomo’Instant Square Glass review – irresistible instant charm

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Not Yet Rated



John Wade




John Wade

Lomo'Instax Square Glass

John Wade takes an instant liking to a folding Lomo camera

Amateur Photographer verdict

The Lomo’Instant Square Glass is utterly unique, with its dual print formats and folding design. Instax film gives great results, too. For instant photography aficionados, it may just be irresistible.

Pros

  • Compact folding design
  • Good-quality glass lens
  • Unique dual-format design
Cons

  • Instant photography is expensive

Lomo began making instant cameras to use Fujifilm’s Instax film in 2014. In 2018 the Lomo’Instant Square was launched, and it’s still available today. Lomo claims it as ‘the world’s first fully analogue, dual format, glass-lensed, automatic, instant camera’. That’s a description with which it’s hard to argue.

At a glance:

  • $169 / £119-139 depending on colour and accessories bundle
  • Folding, automatic instant picture camera
  • 95mm glass lens (45mm equivalent)
  • White, red, black and blue versions available
  • Two instant picture formats
  • Close-up lens and image splitter accessories included
  • Coloured filters fit over the flashgun for creative results
  • shop.lomography.com

Just to be clear: this is not a digital camera that prints its image onto paper before ejecting it; instead, it’s a truly analogue instant picture camera. And while most such cameras are big and bulky, the Lomo’Instant Square Glass uses a folding design to make it much easier to carry around.

Folded up, the camera measures 14x12x4cm. Gripping the panel above the lens and giving it a confident tug folds the lens up 90° to sit at the end of bag-type bellows. It folds again by pressing a supporting strut and pushing the lens panel back into the body.

Key features:

  • In the box: Camera, instructions, interchangeable film backs, close-up lens, image splitter, flashgun filters, picture display items
  • Controls: Shutter release, remote control, flash, multiple exposures, exposure compensation, self-timer, auto and bulb options
  • Automation: Programed 1/250-8sec auto, 30sec in bulb mode, f/10 and f/22 apertures, manual focus down to 0.8 metres
  • Batteries: Two CR2 batteries for the camera, one CR2025 for the remote control

Lomo’Instax Square Glass kit. Image credit: John Wade

A sliding switch below the lens pushes it forwards and backwards for focusing. This must be set to infinity before folding the camera.

Five control buttons sit vertically on the back. The first turns the flash on and off. Next comes multiple exposure control. With the supplied image splitting device used to cover half the lens, then reversed to cover the other side, multiple exposures can show one person appearing twice in the same picture. The third button gives plus and minus override on the auto exposure. Then comes a selector button for auto or bulb modes. The last button activates a 10sec delayed action.

Lomo’Instax Square Glass, folded. Image credit: John Wade

The shutter release is on the front of the body falling easily under a right forefinger. Alternatively, the shutter can be fired remotely, using a small device that slides out from the base of the body.

Uniquely, interchangeable film backs offer two picture sizes: Instax Square for a 62x62mm image mounted on a 72x86mm card, or Instax Mini for a 46x62mm image on a 54x86mm card. Immediately following exposure, the print is ejected from the top of the body to self-develop in about two minutes.

Lomo’Instax Square Glass sample prints. Image credit: John Wade

Fujifilm’s Instax ISO 800 film is known for its saturation of colour as opposed to the slightly softer look of the old Polaroid films, and the camera’s glass lens delivers crisp results.

Our Verdict

At around £100-plus for the camera, and Instax film costing up to 90p per shot, this is not a cheap camera to use. But shooting instant pictures has always been fun, and if that’s all you’re after, you might find the Lomo’Instant Square Glass, with its folding design and dual image facility, irresistible.


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John Wade

About

John Wade began his career on local newspapers, working his way from junior reporter to deputy editor. He was editor of the UK magazine Photography for seven years before becoming a freelance writer and photographer. John has written and illustrated numerous articles on camera history for Amateur Photographer, as well as photographic and other magazines in the UK, America and Australia. He has also written, edited and contributed to more than 30 books on photographic history, photographic techniques and social history.




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